Showing All Guitar Lessons
In this guitar lesson I will introduce you to the major scale as well as show you some ways to play a Major Scale on the fretboard, focusing on playing throughout the fretboard.
|Useful shape for a Major Scale plus fast position shifting technique! Guest Visitor Access||Medium|
|In this exercise, I will go over some basics behind the Major Scale, show you one shape of a Major Scale and how to play it in multiple locations on the fretboard, as well as show you how to develop fast position shifting technique.|
In this guitar lesson, you will learn about the Diminished Whole Half Step Scale, which is one of several symmetrical scales that will add a unique sound to your playing!
|Diminished Whole Half Step Scale 2 Octaves Guest Visitor Access||Medium|
|In this exercise you will learn a useful shape for playing a Diminished Whole Half Step Scale on the guitar.|
In this guitar lesson I will show you a very convenient way to add extensions to Major 7th arpeggios which is a great way to take basic arpeggios and liven them up!
|Major 7th Arpeggio on Two Strings - adding the 13th Guest Visitor Access||Hard|
|In this exercise we will see how to add the 13th to some of the two-string Major 7th arpeggio patterns that we previously covered, to create a more interesting sound.|
|Major 7th Arpeggio on Two Strings - adding the 9th||Hard|
|In this exercise, we take a look at a Major 7th arpeggio on two strings and see how we can easily extend the shape to play a Major 9th arpeggio.|
In this guitar lesson, I am going to show you how to look at triad arpeggios in a way that will give you a deep understanding of their layout on the fretboard.
|Major Triad Arpeggio Across 5 Strings Guest Visitor Access||Hard|
|In this exercise, we start looking at triads across 5 strings by first taking a look at a Major Triad.|
|Minor Triad Arpeggios Across 5 Strings||Hard|
|We continue studying triad arpeggios in this exercise, by looking at a Minor Triad across 5 strings.|
|Diminished Triad Arpeggios Across 5 Strings||Hard|
|In this exercise you will learn all about Diminished Triads and hopefully will find ways to use them in your own playing.|
|Augmented Triad Arpeggios Across 5 Strings||Hard|
|In this exercise we take a look at the last of the basic triad types - the Augmented Triad - which has a very unique sound that should find its way into your playing soon!|
|Triad Arpeggios Across 5 Strings - Harmonic Minor Etude||Insane|
|In this exercise I show you how to use various triad arpeggio shapes from this guitar lesson to write a cool sounding arpeggio progression.|
In this guitar lesson we will learn how to use position shifting and fretboard visualization to play a Major Scale and modes in 3 octaves.
|Major Scale Across 3 Octaves Using Repeatable Pattern||Hard|
|In this exercise you will play a Major Scale in 3 octaves by using a unique, repeating pattern that lends itself to visualization.|
In this guitar lesson I will show you how to play seventh arpeggios using the string skipping technique, which will greatly add to your phrasing vocabulary.
|Playing a Minor 7th Arpeggio String Skipping Style Guest Visitor Access||Hard|
|In this exercise, we will start learning how to play 7th arpeggios using the string skipping technique, by first looking at a Minor 7th arpeggio.|
In this guitar lesson I will show you how third intervals are laid out in a Major Scale which will have you seeing scales from a new perspective.
|Major Scale Harmonized in Thirds Guest Visitor Access||Easy|
|In this exercise we will take a look at a Major Scale and see how we can play the scale in third intervals, which might give you a new perspective on scales!|
In this arpeggios guitar lesson, we will go beyond basic triad arpeggios and enter the sonically cool world of seventh arpeggios.
|Major 7th Arpeggio on Two Strings Guest Visitor Access||Medium|
|In this exercise we expand what we know about triad arpeggios and look at a major 7th arpeggio and how to play it on two strings for some cool sounds!|
|Minor 7th Arpeggio on Two Strings Guest Visitor Access||Medium|
|In this exercise, we take a look at Minor 7th arpeggios and inversions on two strings|
|Dominant 7th Arpeggio on 2 Strings||Medium|
|In this exercise, I will show you how to play a Dominant 7th arpeggio and its inversions on 2 strings|
|Minor 7th (b5) Arpeggio on Two Strings||Medium|
|In this exercise, we look at the last of the 7th arpeggios that come from the Major Scale - the Min7(b5)|
|7th Arpeggios on 2 Strings - Putting it All Together||Hard|
|In this exercise, we will use what we learned about 7th arpeggios from the previous exercises to come up with a musically interesting arpeggio progression.|
This guitar lesson introduces you to the widely used legato technique which will have you playing smooth, fluid lines in no time!
|Legato - Three Note Pattern 1 Guest Visitor Access||Easy|
|In this exercise, I will start you off with your legato adventures by showing you a simple three note pattern that will come in handy for all sorts of legato lines that you can dream up!|
In this tapping guitar lesson we don't waste anytime, as we get into some interesting musical territory right from the start, using triad arpeggios as an example.
|Tapping - Major Triad on One String Guest Visitor Access||Medium|
|In this exercise we will take a look at how to tap major arpeggios as a way to use finger tapping in a musically meaningful way.|
|Tapping - Minor Triad on One String||Medium|
|In this tapping exercise, we continue our study of using triad arpeggios for tapping melodically, this time focusing on a Minor Triad.|
|Tapping - Diminished Triad on One String||Medium|
|In this exercise we look at yet another triad type - the diminished triad - as a way to take a musically interesting approach to tapping.|
|Tapping Triad Arpeggios - Putting it Together||Hard|
|This is the last exercise in my introductory tapping guitar lesson, where we use the knowledge from the previous exercises to come up with an interesting tapping passage.|